The upcoming political fantasy series 'Nothing Sacred Remains' by author Jasleen A. is scheduled for publication in late 2026, marking a significant crossover between high-level institutional strategy experience and speculative fiction. The announcement highlights how professional backgrounds in consulting and policy are increasingly informing literary narratives about power and governance.
The series is set within a rigid political order where power is hereditary and fiercely protected, following characters shaped by regime, loyalty, and appetite for control. Themes of love, ambition, and belief collide as authority tightens and dissent carries severe consequences. Each volume will be set in a distinct historical period while exploring these consistent themes across different eras, suggesting an examination of how political structures evolve yet maintain core mechanisms of control.
Jasleen A. brings unique qualifications to this genre, having worked as a management consultant with global firms including McKinsey and L.E.K., where she advised on public policy and institutional strategy. This professional experience directly informs her literary exploration of power dynamics, ideology, and what she describes as 'the human cost of political order.' Her transition from consulting to political fantasy represents a growing trend of practitioners using fiction to examine systems they've observed firsthand.
The author's previous recognition across multiple creative fields suggests the series may attract attention beyond traditional fantasy readership. She is a Rhodes Scholar pre-finalist and author of a book recognized by the Prudential Community Spirit Awards. Her screenwriting has received recognition at numerous international festivals including the Bengaluru International Short Film Festival, Jaipur International Film Festival, Venice Shorts, Sweden Film Awards, Replay International Film Festival, and Couch Film Festival.
This announcement matters because it represents the convergence of several significant trends in publishing and political discourse. First, it demonstrates how expertise gained in elite professional sectors is being channeled into cultural production that examines those very systems. Second, the political fantasy genre has gained substantial relevance as readers seek narratives that help process contemporary geopolitical tensions and authoritarian trends. Third, the author's Indian background and international recognition highlights the globalization of genre fiction beyond traditional Western publishing centers.
The implications extend to both literary and professional communities. For the publishing industry, works informed by direct policy experience may offer more nuanced explorations of power than purely academic or journalistic approaches. For readers, such narratives provide accessible frameworks for understanding complex political dynamics. For professionals in consulting and policy, it represents another avenue for translating institutional knowledge into public discourse. The series' focus on 'the human cost of political order' suggests it will contribute to ongoing conversations about governance, resistance, and the personal consequences of systemic power.
